This PDF contains the diagrams for all the Major and minor Pentatonic scales in all keys for guitar in standard tuning. You can get more diagrams in the tuning of your choice by using my interactive web app HERE.
Pentatonic Scales for Guitar A pentatonic scale has just 5 notes. We’ll look at the A minor pentatonic as an example. The A minor pentatonic comes from the natural minor scale. In this case, A natural minor. The natural minor is the Aeolian mode of the relative major scale. In this case, C major. The Aeolian mode (Natural Minor) is the 6th ...
This is a short introduction to the Major and Minor Pentatonic scales. It shows you diagrams for both scales in all 12 keys as well as the five scale patterns that make learning the scales easy.
minor pentatonic scale consisting of notes C, Eb, F, G, and Bb. Much like moveable bar chords this scale can be moved up and down the guitar neck and the root note will determine the key you are playing.
The Minor Pentatonic Scale. By Paul Tauterouff. The Minor Pentatonic scale is one of the most commonly scales used in Rock, Blues, Country and Jazz music. The following examples are in the key of A. As you will learn, these patterns can be transferred to all keys.
This collection of free tab will help you get started learning melodies, rifs, solos and bass lines based on pentatonic scale patterns. It’s a perfect resource for applying the scale and music principals taught in Fretboard Theory.
The Pentatonic Scale. This is the most commonly used pentatonic scale and shape. The A Minor Pentatonic Scale-start from the A note and end on the A note an octave higher. The C Major Pentatonic Scale-start from the C note and end on the C note an octave higher.
The major pentatonic scale consists of scale degrees 1 - 2 - 3 - 5 - 6. You might think of it as a major scale with the 4th and 7th removed. It is a very useful scale for improvising over major chords because, of the five notes in the scale, three of them are chord tones – 1, 3 and 5.
You can locate major pentatonic scales all over the neck by going through the minor pentatonics. You won’t have to memorize a whole new batch of scale shapes for major pentatonic. We will use the concept of major and relative minor to easily tackle major pentatonic scales across the neck.
This scale is transpositional and can be played in, and should be practiced in, all keys. However, donʼt try and learn all shapes at once. It is more important to know one shape well and be able to use it to solo, than many shapes and not be able to use them.
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