The undead is also portrayed as an appealing alternative to puberty in “The Lost Boys” (1987) and “Near Dark” (1987). Instead of bad skin and tremulous voices, these stylish vampires kill ...

Early on in Oscar winner Kathryn Bigelow’s Texas horror classic Near Dark (1987), a Winnebago speeds across a dusty Lone Star landscape. The dingy RV becomes a telling vehicle for the entire plotline: ...

No one knows what dark matter is made of, but scientists are confident it’s something that doesn’t interact with electromagnetic radiation, such as light—or else we’d be able to see it.

A classic should have masterfully created suspense through pacing and haunting cinematography. These films set up the ... A family learns the hard way that their fear of the dark isn’t just paranoia ...

British cinematographer, Dick Pope, has died at age 77. The celebrated creative was known for his work with director Mike Leigh and was twice nominated at the Academy Awards. No cause of death has ...

For one thing, a fifth force might help explain a major unsolved physics puzzle: the identity of the unknown source of mass throughout the universe known as dark matter. So scientists are on the ...

“Dick had a reputation for being a wonderful collaborator and someone who was passionate about the art form of cinematography. He was keen to embrace new technologies and ideas while also ...

That lent Pope’s camerawork a realism that he brought to early TV dramas starting in the 1980s like Porterhouse Blue, the 1987 comedy ... about the art form of cinematography,” the British ...

His first feature films as a cinematographer, The Reflecting Skin, Dark City, and Life Is Sweet, debuted in 1990. Pope is survived by his wife, Pat. GET A.V.CLUB RIGHT IN YOUR INBOX ...

Richard Pope, the British cinematographer who collaborated with director Mike Leigh across his career and earned an Oscar nomination for his work lensing Leigh’s 2014 biopic “Mr. Turner ...