Leigh Whannell issues an update about the status of Upgrade 2, and reveals that he still daydreams about the sci-fi sequel.

Wolf Man and The Invisible Man both hail from director Leigh Whannell and Universal Studios but are they in the same universe?

The 'Invisible Man' writer-director talks about tackling another Universal horror icon for a horror movie reflecting the anxieties of COVID.

Blumhouse's "Wolf Man" is looking to score $20 million at the box office on MLK weekend, a needed win for the horror studio.

I was so happy with Invisible Man’s ending that I just don’t feel the artistic need to go forward with it,” he tells THR. “The financial need is something different. The studio might look at that and say,

For the entirety of Leigh Whannell's screenwriting career, the horror veteran has shown the gift of being able to make audiences cower in terror inside a darkened movie theater, and then, come back for more.

The 2025 movie calendar is off to a slow start, with many late 2024 releases still dominating the box office. Leigh Whannell’s horror film Wolf Man hopes to join Den of Thieves 2: Pantera at the top of the weekend’s box office when it opens on January 17th, but judging by the mixed reviews from critics, it’s unclear how likely that’ll be.

Wolf Man was called 'pulse-pounding' and 'terrifying' in first reactions, but the Rotten Tomatoes score leaves little to be desired as Leigh Whannell's reimagining of George Waggner's 1941 film currently has an underwhelming score of 56% on review aggregate site, Rotten Tomatoes.

It probably was unrealistic to hope for something of a similar quality to that of “The Invisible Man.” The last time Leigh Whannell directed a movie, it was that almost shockingly good entry from early 2020.

Despite Christopher Abbott’s commitment, director Leigh Whannell's 'Wolf Man' update proves too slow and serious to satisfy horror fans.

Leigh Whannell is taking crack at another Universal Monster with the Wolf Man - but the script kneecaps the film.

Director Leigh Whannell reinvents the monster myth in Blumhouse’s latest horror film.