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One of these posters ... Cure at their classic best”). One would expect a look of doom and gloom from the goth purveyors, but he emphasized the glimpse of light to be found on the album ...
“The new album is The Cure at their classic best,” Andy Vella, graphic designer and the band ... remaining letters were only visible under UV light) and a typographic poster placed outside The Railway ...
one of the 100 best albums ever made, it clocked in at No. 39 in the 1989 Pazz & Jop poll, right behind Don Henley and Aerosmith’s Pump. And so a more honest or accurate survey of The Cure’s ...
“Songs of a Lost World” is easily the Cure’s best album since 1992’s “Wish” — which included their hit “Friday I’m in Love” — but maybe even since their 1989 masterpiece ...
The poster was displayed in a frame at The Railway Inn in the band’s hometown, where the band first performed in 1978. It features the title of their new album, ‘Songs Of A Lost World’.
Additionally, a poster promoting the forthcoming LP was ... “I do want it to work in a way those really good Cure albums — my favorite Cure albums — work as pieces. I want people to listen ...
Ever since the release of 2008’s “4:13 Dream,” the Cure has spent all its time performing ... “Songs of a Lost World” the band’s best album since its 1989 masterpiece “Disintegration ...
It might be... DETROW: Ooh. POWERS: ...The best rock album of the year. I mean, the music sounds right in line with The Cure's classic albums, like "Disintegration," but it still sounds totally ...
NPR Music's Ann Powers and Daoud Tyler-Ameen are your guides to the most compelling new releases of the week, including the first new album in 16 years by The Cure and a surprise release by Tyler ...
Smith created the sleeve concept, and Andy Vella, a long-time Cure collaborator, handled the album’s art and design ... but I think it has to be the best thing. I can’t do the whole ...
Wild Mood Swings would’ve been an apt title for several Cure albums that present art rock dirges alongside ... Boys did not stand out as the best album in a remarkable crop of 1979 post-punk ...