Move the 5th to the bottom (D/A, for example) and we have a second inversion. If we were to take a dominant 7th chord and move the 7th to the bottom (D/C, for example), we’d have a third inversion.

and dominant 7th (eg E7). Let's look at the options when creating these 7th chords from a C root note. For Cmaj7 the notes would be - C (root), E (3rd), G (5th) and B (7th). For Cm7 the notes are ...

If you find yourself talking to a classical musician, you may find yourself needing to describe this very same chord as something slightly different. It can sometimes be described as a ‘dominant ...

There’s more to them than meets the eye… In this lesson, we’ll go through the difference between a dominant ... 3rd, 5th and 7th of the scale, right? Wrong! This would make a major 7th chord.