Live dangerously until the end," the French title of the 1959 Robert Aldrich film "10 Seconds to Hell," seen on a poster in "Breathless" I showed Jean-Luc Godard's "A Bout de Souffle" (1960 ...

and a trailer sketched out by Godard. It was found in the estate of Breathless‘s producer Georges De Beauregard along with a number of connected photographs which have also been included in the lot.

Godard’s retro referentiality is ... to read him if you aren’t studying him in college. “Breathless” was a hit, and it hit an art-film sweet spot, bridging not just Old Hollywood and ...

Richard Linklater has made the ultimate love letter to cinema. What does it mean that we have to watch it on the small screen ...

Godard upended filmmaking conventions at every turn. He delighted, provoked, and sometimes puzzled audiences with art-house classics like "Breathless" (1960), "Band of Outsiders" (1964 ...

The Franco-Swiss director, who helped usher in a new era of cinema with titles like “Breathless” (1960 ... of his own presence in his art, it’s Jean-Luc Godard. And I must say right now ...

He quotes Gaugin (“Art is either plagiarism ... half-funny promenade, with Godard and his camera crew trailing behind. Watching Breathless, we see Belmondo’s jagged ballet from behind.

The images in “Breathless” of an ingenue Seberg traipsing ... Hollywood gangster movies and nods to literature and visual art. Godard also launched what was to be a career-long participation ...

His oeuvre changed course several times, from his first features offering up sly pop-art homages to ... gangster Michel Poiccard in Godard’s breakthrough debut, Breathless, with Hollywood ...

intensely free art.” Godard burst on the international scene with his debut feature, 1960’s “À bout de souffle” (“Breathless”), which revolutionized cinematic storytelling with its ...